Episode #721
New Orleans, Inishmore, Band-Aid
Friday, May 26, 2006
The devastation of Katrina has also created an historic opportunity to rebuild – but it blew open a long-simmering battle over how to design cities. Kurt talks with the urban planners who are offering competing visions of New Orleans' future. We’ll also hear from a photographer who reinvented the camera, and find out why the new play The Lieutenant of Inishmore needs 5 gallons of stage blood per show.
The Lieutenant of Inishmore by Martin McDonagh, Atlantic Theater Company --New York, NY
(Monique Carboni (c) 2006)
The Lieutenant of Inishmore
Kurt Andersen talks with theater director Wilson Milam about the challenges of staging a Broadway play with the kind of violence normally reserved for Quentin Tarantino movies. The actors wielding guns and knives on stage don't have the luxury of second takes, and the ...
The New, New Orleans
The reconstruction of New Orleans may be years away, but plans are coming off the drawing board. Andres Duany and his team of "New Urbanists" have come to New Orleans with their vision of the future: 19th century-style town plans that encourage compact living and walkability. That's ...
Aha Moment: Pitt Street
Asking students to write about a painting or a photo is an old chestnut of creative writing classes. Mickey Clement says a standard exercise like that actually changed her life -- and made her a novelist.
Design for the Real World: Band-Aid
Paola Antonelli, a design curator at the Museum of Modern Art in New York, appreciates the classic design of this staple of your medicine cabinet.
Cyclorama
Artist Clifford Ross was disappointed with the pictures he took on vacation. So he built a new kind of camera with resolution years ahead of digital photography -- and he may have reinvented how we look at pictures. Produced by Andrew Adam Newman.
Hidden Worlds
Theoretical physicist Lisa Randall believes there are more dimensions to space - possibly 13 more -- than the three we experience. She's faced the challenge of describing a world that no one can see. Produced by Sarah Lilley.





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