Episode #736
9-11, Birdsongs, Librettist
Thursday, September 07, 2006
Kurt Andersen looks at how novelists, filmmakers, and photographers have tried to make sense of 9/11. The composer Ned Rorem tells us why he's fallen for French music. And we'll find out how an Italian Jew born in the 18th century became a Catholic priest, Mozart's librettist, and a greengrocer in New York City.
A photo from: "Aftermath: World Trade Center Archive" By Joel Meyerowitz
(Joel Meyerowitz)
Five Years Later
On the fifth anniversary of September 11th, Kurt Andersen looks at the range of creative responses to the attacks. Voices include: the poet Marie Ponsot, the novelist Jonathan Safran Foer (Extremely Loud and Incredibly Close), the novelist John Updike (Terrorist), ...
Birdsongs
Nina Katchadourian is a sound artist with a thing for birds. A few years ago she rigged car alarms to project gorgeous bird calls instead of robotic screeching. Her latest installation is at Wave Hill, a public garden in New York City overlooking the Hudson River. She's ...
Vive La French Music
Ned Rorem is an American composer who loves French music. He spoke with WNYC's Sara Fishko as part of a series on living composers and their relationship with the past.
Aha Moment: Lydia Mendoza
Alyssa Lamb sings in a Brooklyn-based band called Las Rubias del Norte, 'the Blondes of the North.' But her path to singing was circuitous-she was playing the accordion when an injury kept her home alone. She found her calling by singing along with the powerful voice of ...
The Librettist of Venice
How did an 18th century Italian Jew become over the course of his life a Catholic priest, a bookseller, a professor of Italian, a grocer in the United States -- and the librettist of some of the best operas written, Mozart's Marriage of Figaro, Cosi fan Tutte, and Don Giovanni? ...





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