Kurt heads back to his hometown. No longer just beef and Warren Buffett, Kurt finds a vibrant indie rock, film, and visual arts scene there. Artists, politicians and philanthropists – including filmmaker Alexander Payne and Bright Eyes frontman Conor Oberst – tell us what makes Omaha so nice to come home to. And we hear from other musicians on Omaha’s hot Saddle Creek label, including the tap-dancing percussionists of Tilly and the Wall. Produced by Derek John and Pejk Malinovski.
Featured Comments
-
Its sad, I believe a lot of people will agree that Apple is no longer the leader in innovation.
-
Look, you have to acknowledge that Apple isn't going to have the greatest ideas for everything. They created the smart ...
-
Rooting for the Bad Guy: Michael Shannon
-
Bad Girls on Film & Joss Whedon
-
Joss Whedon the Hollywood Slayer
-
Studio 360's Battle of the High School Bands
-
Jack Handey's Ideas for Paintings
-
Lois Lowry Confirms Jeff Bridges to Film The Giver
-
Will Apple Get Its Mojo Back?
-
Hollywood's Bad-Girl Summer
-
Macklemore's Gay Anthem
-
Afro-Japanese Mashup Art
Leave a Comment
Register for your own account so you can vote on comments, save your favorites, and more. Learn more.
Please stay on topic, be civil, and be brief.
Email addresses are never displayed, but they are required to confirm your comments. Names are displayed with all comments. We reserve the right to edit any comments posted on this site. Please read the Comment Guidelines before posting. By leaving a comment, you agree to New York Public Radio's Privacy Policy and Terms Of Use.