Studio 360 looks at how the war in Iraq is affecting the culture back home. Kurt Andersen talks with Jane Smiley, who set her sexy novel Ten Days in the Hills against the tense backdrop of the opening days of the invasion in 2003. And we’ll see how the war's harsh realities get hashed out in a distant sector of the universe, in Battlestar Galactica. And a group of young soldiers sit for a portrait series by photographer Suzanne Opton. Later in the show, stars from Broadway's Company, the Stephen Sondheim musical, stop by to perform in the studio.
Jefferson, length of service unknown
(Suzanne Opton, “Soldier”)
Jane Smiley
The Pulitzer Prize-winning novelist Jane Smiley sets her latest novel, Ten Days in the Hills in a fancy home high above Los Angeles. Sex, Hollywood, and soap opera-like personal drama give the novel a frenzied energy. But there's another element the author adds into the mix. Kurt ...
Battlestar Iraqtica
In the 1960s and 70s, Hollywood turned to the Western to depict the racial, moral, and military issues of the Vietnam War. Today, directors and screenwriters are again grappling with war indirectly, through genres like fantasy and science fiction. Critics Lisa Schwartzbaum and Laura Miller show ...
Soldier
Last spring some billboards appeared along a highway near Syracuse, New York, just over an hour's drive from the Ft. Drum Army Base. On each billboard was an enormous close-up of a young man's head on a plain dark surface. Suzanne Opton took the pictures. Produced by ...
Design for the Real World: Thinking Outside the Mouse
Along with a keyboard, the mouse is the main tool most people use to control their computers. But it’s not exactly subtle. Bill Verplank, one of the founding fathers of interaction design, tells us about the past and future of the mouse. Produced by
Company
The story is simple: a thirty-something guy is single in New York – all of his friends are married. When Stephen Sondheim's Company debuted in 1970, no Broadway musical had portrayed sex, dating and marriage in contemporary America so frankly on stage. But now, at the ripe age of thirty-seven, ...





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