Episode #1124
Psycho at 50 & Terrorism in Film
Friday, June 11, 2010
This week, Studio 360 looks at "Psycho" at fifty. With murder, motels, and the mind of Norman Bates, Hitchcock's film transformed cinema forever. In India, Bollywood makes movies that address terrorism, but it's a subject that Hollywood is far more skittish about depicting. And a father lets his son drop out of high school, on the condition that they spend their days watching films together.
Still image from "Psycho"
(Courtesy of Scanman Caps '99, Universal Studios)
Seeing Double
Mention "the shower scene" and everyone knows what you're talking about, even if they haven't seen "Psycho." Turns out the actress Janet Leigh was never completely nude for the filming. That silhouette behind the shower curtain was Playboy bunny Marli Renfro, Leigh's body double. Renfro ...
Introducing Norman Bates
Throughout the 1950s, reports of sex crime and pathological murder rattled America. "Psycho" both exploits and "explains" one such murder, with a rather heavy-handed psychiatrist. But beyond the screeching violins and the risque shower scene, the movie's real legacy is that Hitchcock makes us care so much about ...
The Judgment of Psycho
Would you ever want to get inside Norman Bates' head? Ready or not, it's the subject of John Haskell's eerie short story "The Judgment of Psycho." Haskell imagines what might have been racing through Bates' mind as he transformed into a killer. Produced by Studio 360's ...
No Tell Motel
Thriller movies had been set in motels before but "Psycho" marked a major turning point. Studio 360's Jonathan Mitchell traces how motels have evolved on screen: from 1940s noir to kitschy B-movie horror.
The Terror Taboo
In the last decade, American movie studios have been skittish about building storylines around terrorism. Meanwhile in India, Bollywood has been making lots of films that depict the sensitive topic. WNYC's Arun Venugopal shows Kurt how Bollywood is doing something Hollywood won't.
Father-Son Film Club
When film critic David Gilmour's son Jesse was flunking out of school, he let him drop out - on the condition that Jesse would watch movies with him. In his memoir, The Film Club, David describes the curriculum he devised. Father and son tell Kurt ...





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