Episode #1214
The Civil War: Then and Now
Friday, April 08, 2011
The Civil War began 150 years ago this week, when Confederate forces fired on Fort Sumter. The four years of bitter conflict that followed still echo in America today. “At every point in the history of this country, we feel like we're on the verge of Civil War,” historian Adam Goodheart tells Kurt Andersen. America’s leading artists pioneered new ways of depicting battle. And for some, the battles still haven’t ended: Civil War culture thrives among the re-enactors, where a gun and a uniform are a ticket to a time machine.
Adam Goodheart on 1861
One out of every 25 American men died during the Civil War, and sometimes it seems the country is still fighting its battles. Kurt talks with Adam Goodheart, a historian and journalist, about how the mapmaker’s divide between red states and blue echoes the gray and blue...
Weekend Warriors: Re-enacting the Civil War
The Siege at Bridgeport, a strategic site in Alabama, took place in 1862 — and again this year. Civil War re-enactors spend time and money reliving battles that were decided 150 years ago. They’ll tell you that if you just give it one weekend, you’ll be hooked, too. But one Confederate officer...
Charleston Remembers the War
We know that the North and South remember the Civil War differently. But there aren't just two versions of the war: there’s practically a different version for every person doing the remembering. Studio 360’s Kerrie Hillman traveled to where the shooting started — Charleston, South Carolina — to see...
More from Adam Goodheart
When the first shells exploded over Charleston’s Fort Sumter on the night of April 12, 1861, the news reached New York in a matter of hours. Journalist and historian Adam Goodheart describes the reaction of one New Yorker, a poet named Walt Whitman. Goodheart’s new book on the ...
Visualizing the Civil War
Many of the images we know of the Civil War come from the photos of Mathew Brady. Brady and his assistants recorded the rigidly posed generals and the battlefields scattered with bodies. But very few people at the time actually saw Brady's pictures – and those who did were horrified. Illustrators like...
A More Perfect Union
Artist-programmer R. Luke Dubois has his own map of the U.S., and it’s not colored with red states and blue. Dubois doesn’t need the polls; he gathered his data from 19 million dating profiles. Politics, schmolitics – he wants to know what we really think about. Who’s shy, who’s bored...





Comments [4]
I only thought one thing when you played the clips of those "threatening" to leave the union - - PLEASE GO. These right wing tax naysayers pay far less in taxes than they recoup - mainly from the creative and productive toil of the big cities full of the liberals they love to deride . Let them create their own tax free, gun-filled confederacy and we'll keep our "socialist" society -- and our tax dollars.
I liked the story on Matthew Brady when I heard it. A radio ad for the program, however, set it up as though Matthew Brady had put the guns in the hands of the soldiers in the contrived photograph. The program explains that it was someone who worked with Brady, not Brady himself, so the ad was a bit misleading, and not every listener gets to hear the whole program.
Fascinating program all around. One thing I wanted to add: Kurt mentions that with Matthew Brady it was as if Avedon had gone to cover Vietnam – and (maybe everyone knows this already) Avedon actually did go to Vietnam as a photojournalist.
Civil War photographer Alexander Gardner always gets a bad rap for arranging things (bodies, props) in his photos. That is anachronistic thinking. After the development of high-speed film and modern photojournalism, we got the idea that "pictures don't lie" and it is wrong to stage a photograph. In Gardner's time, photography was just developing as an art, and looked back to painting - including the idea of composition. In the same segment, Winslow Homer was praised for how he composed his Civil War sketches. If you think of Gardner as trying to convey the larger truth of what a battlefield is like (like Homer), rather than documenting the exact details as he found them, I believe you will have a greater appreciation of what Gardner was trying to do.
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