Episode #1231

American Icons: I Love Lucy

Originally aired: October 8, 2010

« previous episode | next episode »

Friday, August 05, 2011

Transcript

I Love Lucy feature card

This is where television invented itself.

It set the model for the hit family sitcom. Lucy was a bad girl trapped in the life of a ‘50s housewife; her slapstick quest for fame and fortune ended in abject failure weekly. Both the antics and the humiliation entered the DNA of TV comedy, from Desperate Housewives to 30 Rock — writers can’t live without Lucy. Rapper Mellow Man Ace celebrates the breaking of an ethnic taboo; a drag performer celebrates Lucy as a freak. With novelist Oscar Hijuelos, producer Chuck Lorre, The Office’s Mindy Kaling, and a marriage counselor who has some advice for the bickering couple.

 

 

I Love Lucy was produced by Jenny Lawton, with production assistance from Chloe Plaunt and Claes Andreasson.

David Krasnow edited the show.

 

Test your classic sitcom knowledge with our I Love Lucy quiz!

 

Bonus Track: Everybody Loves Lucy
Lucille Ball knew however big the star, TV was a writer’s medium. Indeed, every gesture, every glance, and every step was written into the script. In this bonus track, Gregg Oppenheimer — son of creator, producer, and head writer Jess Oppenheimer — reads a bit of the stage direction from the classic episode “Lucy is Enceinte.”  Jess and Gregg Oppenheimer are the authors of Laughs, Luck... and Lucy: How I Came to Create the Most Popular Sitcom of All Time.

Click on the image at right to read an excerpt from the script.

 

 

Click on the image to read the entire article!Bonus Track: Notes on a Scandal
 In 1955 Confidential Magazine, a Hollywood scandal rag, reported on Desi Arnaz’s supposed philandering.  Dartmouth Film and TV professor Mary Desjardins explores the less desirable side effect of being a celebrity couple…

Click on the image at right to read the complete Confidential Magazine article.

 

 

Photo: Kristin Dos Santos

Bonus Track: Mindy Hearts Ricky
Mindy Kaling — writer, producer, and star of The Office — grew up thinking I Love Lucy was “one of the many black and white things that people keep telling you is so great... and you’re just sort of bored and annoyed by it.” Then her Office boss Greg Daniels ordered her to watch it. She came away with a pretty serious crush on Ricky Ricardo. And she says she's not bothered by jokes about his accent.

 

 

Video: Lucy's famous mirror scene with Harpo Marx
Lucille Ball was a talented, fearless physical comedian.  In this scene from the episode titled simply "Harpo Marx," she brings down the house without saying a word. (The bit is an homage to the Marx Brothers film Duck Soup.)

 

 

Slideshow: A Peek Behind-the-Scenes of I Love Lucy

Courtesy of Gregg Oppenheimer

Lucille Désirée Ball was born on August 6, 1911 into a family of meager means in rural upstate New York. Ambitious and looking for a way out of small town life, Ball worked her way up from fashion model, to chorus girl, to B movie star, to comedy icon.

WNYC Archives

I Love Lucy merchandise was and still is a big business. In 1953, Desi Arnaz put out a hit record of him signing the I Love Lucy theme on one side and “There's a Brand New Baby in Our House” on the other. The record was released in conjunction with the birth of Ball and Arnaz's real and on-screen babies, Desi Jr. and Little Ricky.

Courtesy of Gregg Oppenheimer

The I Love Lucy show was the first comedy to be filmed in front of a live studio audience, a practice that is now standard in many of today's TV sitcoms. Lucille Ball's daughter, Lucie Arnaz, wrote that her mother's “clowning and comedy talent thrived on the sound of real people laughing uproariously at her antics.”

Photo by Claes Andreasson

Dann Cahn, editor of I Love Lucy, showed Studio 360 around the original soundstage where the show was filmed in Los Angeles, California. Standard convention in the early 1950s was to broadcast television shows live from New York, but Ball and Arnaz insisted on filming in LA. I Love Lucy's original soundstage, now part of Hollywood Center Studios, is still in use today.

Photo by Claes Andreasson

Dann Cahn, pictured here, was the head editor of I Love Lucy and one of the first people to cut for multiple cameras using a custom made machine he called “the monster.” Cahn said, "When I had signed up for the I Love Lucy job and arrived in my cutting room, two guys came in wheeling this new edit thing and I said to my assistant, 'What are we going to do with this monster? It won’t even fit in the cutting room.' So we put it in the prop room and used it there. It was a Moviola with four heads––three for picture and one for sound. Its new name—The Monster—stuck."

Photo by Claes Andreasson

The I Love Lucy heart is an iconic image with a global reach.  Even today, you can still buy hats, T-shirts, posters, lottery scratch tickets, dolls, iPhone apps, and just about anything else emblazoned with the Lucy logo. It is Lucy lore that Desi gave Lucy a diamond-encrusted heart-shaped lapel watch on her 29th birthday. It was supposedly Lucy's first gift from Desi and was used as the model for the logo.

Photo by Claes Andreasson

Table for one? Dann Cahn sits amongst the many chairs set up on the original I Love Lucy soundstage. Rehearsals for I Love Lucy would begin with a read-through of the script every Monday morning. Jess Oppenheimer, the show's creator and head writer, said that if anyone saw the cast doing their first read-through they'd say, everything's great, but "ditch the red head. She doesn't know what's she's doing.” But by showtime, Ball's performance was nothing short of perfection. (Also pictured: Gregg Oppenheimer, Jess's son.)

Photo by Claes Andreasson

Another view of the original I Love Lucy soundstage. Karl Freund, the Oscar-winning cinematographer, convinced Desi Arnaz that I Love Lucy needed to be filmed on a soundstage, not on a theatre stage, as was the convention at that time. A soundstage allowed Freund to set up the necessary infrastructure — including a hanging light grid and crab dollies — to successfully accomplish the innovative technique of three cameras shooting simultaneously. The techniques “Papa” Freund invented for I Love Lucy are still used to make sitcoms today.

Photo by Claes Andreasson / Hollywood Center Studios

This archival photo shows how long rows of bleachers were erected in the soundstage for the live audience to watch the filmings of the I Love Lucy show. During filming, Jess Oppenheimer, the creator and head writer of I Love Lucy, would sometimes pace up and down behind the bleachers to hear if the audience was laughing at the jokes. Oppenheimer's background was in radio, so he was accustomed to using his ears, not his eyes, to tell if the show was working or falling flat.

Photo by Claes Andreasson / Hollywood Center Studios

A seat to watch a live filming of I Love Lucy was one of the hottest tickets in town — brought to you by Phillip Morris, I Love Lucy's official sponsor.

Photo by Claes Andreasson / Hollywood Center Studios

Shooting I Love Lucy was a huge production involving three cameras, a live audience, set and costume changes, and live music. Because many of the show's creators had experience in live radio, they initially didn't realize that music could be later edited into the show after filming. It was the Wild West of TV and I Love Lucy was on the frontier.

Photo by Claes Andreasson / Hollywood Center Studios

Filming I Love Lucy with three cameras was just one of the show's many monumental innovations. Television historian Thomas Schatz explains, “I Love Lucy shaped the style, the technique, the veritable 'grammar' of the sitcom. And beyond the series' impact on the genre, there was Desilu itself, which affected the institutional, economic, and even the technological practices of the TV industry.”

Lucille Ball and Desi Arnaz continually blurred the lines between their personal lives and their on-screen personas.  This resulted in the occasional unpleasant side-effect, such as when Confidential magazine wrote in 1955 about Arnaz's alleged dalliances with prostitutes. Susan Sontag wrote that the success of I Love Lucy was based on “the confusion and mixture of televised fantasy and voyeuristically apprehended reality. A dose of fantasy. And the insinuation that we might be watching something real. Which has turned out to be television's perennial, still winning formula.”

Courtesy of Gregg Oppenheimer

A page of the script for the famous episode titled “Lucy is Enceinte,” in which Lucy tells Ricky that she's pregnant. Months before Lucy Ricardo was with (scripted) child, Ball found out she was pregnant in real life. Ball and Arnaz assumed that the pregnancy would mean an end to I Love Lucy because pregnant women were verboten on television. But Jess Oppenheimer, the show's creator, decided to write the pregnancy into the Lucy scripts. He soothed the nerves of the network by having a priest, a rabbi, and a minister vet every pregnancy-related script to make sure it wasn't in any way offensive. And, famously, the word pregnant was never said on the I Love Lucy show.

Guests:

Gina Barreca, Justin Bond, Dann Cahn, Jeff Greenstein, Oscar Hijuelos, Mindy Kaling, Chuck Lorre, Mellow Man Ace, Emily Nussbaum, Gregg Oppenheimer, Gustavo and Mary Anne Pérez Firmat and Robert J. Thompson

Produced by:

Jenny Lawton

Editors:

David Krasnow

Contributors:

Claes Andreasson and Chloe Plaunt

Comments [18]

barent

starting with the premise that all racial typecasting,is absurd artificial construct; cuba, is not a mono-racial society; yet, cubans, would not have seen {ricky} dezi,as non-white.

Dec. 25 2011 09:25 PM
Penelope from DC

Thank you for a wonderful show! Lucy reruns were still airing on TV when I was a little kid (Nick at Nite, etc), but I haven't seen an episode in years. I had forgotten how wonderful it is... I guess the only place to see these things now is online. To the internet!

Sep. 01 2011 12:34 PM
Kressel

I never loved Lucy very much, but I sure loved your show about her!

Aug. 08 2011 03:39 PM
Steve MacIntyre from Beaver Dam, AZ

Interracial? Lucy and Ricky are an "interracial couple"? She's of the English-speaking race, and he's of the Spanish-speaking race?

By that definition, my in-laws are an interracial couple: She was born in Baltimore and he in Paris, and though they're both bilingual, she's evidently of the English-speaking race and he's of the French-speaking race.

Aug. 07 2011 02:47 PM
Ed from NYC

Justin Bond is sad man. He talked about Lucy as being a blueprint for queer identity by identifiying with Lucy/Ethel dressed as aliens and belittling "small minded" people. And then he goes on to talk about respect for those who are different.

So in his worldview, he thinks he is smarter than others (including his "barren wasteland" suburban neighbors) because he is queer and he admires those who can dress up and belittle those squares by disprespecting them.

He sounds angry and pathetic and not due to being rejected by due to being smug, superior and not at all practicing what he preaches. He's the type the complains about not being accepted but wants to be able to reject others at will. Sad, sad man.

Do we really need to hear this perspective from someone so bitter? So many like him are bitter but so many love to blame it on others. Its all internal from internal causes.

Aug. 07 2011 11:54 AM
Vic from .

I Love Lucy, I do...&
I'm also a big fan of Jackie Gleason, &
"The Honeymooners"...for conflict, & conflict resolution on T.V.

Aug. 06 2011 04:25 PM
Miriam from New York, NY

I absolutely love this production. It brings back a lot of memories. "A hadsome Latin with an Accent!" I love it!

Jan. 26 2011 03:46 PM
Steve from Englewood

Listening to the broadcast now. Would someone tell that woman from The Office that "Cuban" is not a race.
Thank you.
P.S. Neither is Hispanic.

Jan. 26 2011 03:34 PM
Belinda Campos from Ontario, CA

My fiancé and I have been notified that we are the national finalists in the Lucille Ball Hometown Wedding Giveaway. We are one of five couples in the running for a dream wedding in Jamestown, New York, on Lucille Ball’s 100th birthday and 60 year anniversary of the show I Love Lucy.

My fiancée, Jonathan Moctezuma, and I have been together as a couple for six years. The reason I entered this contest is because the "I Love Lucy" television show has been an integral part of my life. I grew up in a Mexican American household learning my first words of English watching the show.
The couple in the contest with the most votes wins an expense-paid wedding in Jamestown, New York. We have the opportunity to be part of this historic contest to celebrate the life of Desi and Lucy.
Thank you for taking the time to read this.You can view our video and vote for Jonathan and myself at:

http://www.lucilleballhometownwedding.com/

You can vote once per ip address until Feb 11, 2011

Jan. 03 2011 02:23 PM
Jason from Brooklyn, just across the river from the Ricardos

The story of Lucy and Desi is epic, tragic, and finally, glorious. Whatever their flaws and imperfections, these two preternaturally gifted artists sublimated their own suffering and spun it into gold, holding nothing back and leaving nothing behind in their quest to the world everything they had.

Nov. 09 2010 01:39 PM
Alex from New York City

Why do all Studio 360 shows sound alike? The tics are growing predictable and tired: the truncated, interruptive editing, the bug-like puerile voices desperate to channel "hip young male" on the unconscious assumption that this is where the "value added" lies, the obvious, un-funny pseud-quips. How about a little actual creativity for a change?

Oct. 14 2010 03:11 PM
DocHuck from Orygun

I really enjoyed the show but I must ding it for "no shout out to vaudeville." Neil in Brooklyn notes some traces of the great tradition's presence on the small box. Many of the great "bits" in Lucy's show came right out of classic stage. You've posted the mirror sequence used by the Marxes onstage (and stolen THEN) in For example, the justly famed "Vitameatavegamin" is a riff on the old Red Skelton Guzzler's Gin sketch (Ziegfeld Follies, 1943, http://www.youtube.com/watch?v=Al2xOOTMmLo )

Oct. 11 2010 10:57 PM
Lisa Huron from Lexington,Ky.

Awesome program !! I have all the dvds and the whole colllection !! I love I Love Lucy !!! Thanks for sharing !! She brings me out of my deepest depression !! The episode of Switching Roles. formally know as The Candy Episode,is my al l time favorite !! Lucy and Ethel made a great team. The show will always be a classic !!

Oct. 11 2010 08:59 AM
Neil in Brooklyn from Brooklyn

"Leave it to Beaver" and "Father Knows Best" were created a number of years after "I Love Lucy," and neither of those shows were centered around the female lead. So, comparing the dishrag housewives in those series to Lucy Ricardo, is like comparing the adult male leads in those shows to Milton Berle. TV in the early '50's was coming off of a sort of vaudeville tradition. And you had other zany women (as well as men) in those years: Gracie Allen ("Burns & Allen"), Joan Davis ("I Married Joan"), and Gale Storm ("My Little Margie"). Also, Mary Livingston ("The Jack Benny Program") and Audrey Meadows ("The Honeymooners") were not exactly obedient mates, either. It was really in the later '50's to early '60's that the suburban Stepford wives dominated (or were dominated, as the case may be).

Oct. 10 2010 02:59 PM
Alberto from San Francisco, CA

Great show all around. Justin Bond's impressions are so beautiful.

Oct. 10 2010 02:25 AM
Dan from nyc

I'm 24 years old and have been obsessed with all things Lucy for more than half of my my life so far. I just want to say that for only having 45 mins. to encapsulate something as important as "I Love Lucy", you guys nailed it! The interview with Dan Cahn was especially a treat!

Oct. 09 2010 12:03 PM
Laurie from Illinois

Wonderful show - it brought back so many memories! I loved Lucy and wish today's sitcoms were as funny, thoughtful and groundbreaking.

Oct. 08 2010 09:44 PM
Peter

I thought this was an excellent production itself, about the Lucy Show.

Oct. 08 2010 06:08 PM

Leave a Comment

Register for your own account so you can vote on comments, save your favorites, and more. Learn more.
Please stay on topic, be civil, and be brief.
Email addresses are never displayed, but they are required to confirm your comments. Names are displayed with all comments. We reserve the right to edit any comments posted on this site. Please read the Comment Guidelines before posting. By leaving a comment, you agree to New York Public Radio's Privacy Policy and Terms Of Use.