DARCI
(Philip Graitcer)
To make art, a computer first needs to understand what art is.
A group of computer scientists at Brigham Young University is attempting this by feeding their program images by the thousands and describing those images. Digital Artist Communicating Intent (she goes by DARCI) recognizes about 2,000 adjectives so far, including terms like peaceful, scary, and dark. The goal is to teach DARCI to pick out those visual qualities in artwork — and ultimately, to write algorithms modeling creativity for artificial intelligence.
Last month, the team took DARCI out for a spin at the Conference on Creativity and Cognition in Atlanta. They invited artists to put their work on a thumb drive, upload to the program, and be judged by DARCI. The program scored works according to simple criteria, which were kept secret; the accepted work was displayed in a temporary exhibition at the High Museum.
Several experienced artists had their work rejected; so did George, age six, who was skeptical of the algorithmic curation. “I can’t believe a computer can do it, because there's never good art or bad art — there's different types of art,” he says.
BYU professor Dan Ventura says their effort wasn’t much different from the normal operation of the art world. “Whenever you enter art into a juried show, you're often not told what the criteria are,” he reasons. “Somebody is going to make a judgment about your art and decides whether you get in or not. And DARCI is that someone right now.”
→ Teach DARCI how to associate adjectives with images
Slideshow: DARCI evaluates art
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Philip Graitcer





Comments [5]
I think a computer can have a need for art. Or at least this program can. A computer and its software or other programs are very different. We all live such dynamic lives with so many possibilities, things to do, places to see, etc. But this program only has one thing to do, make and analyze art. Plus its world compared to ours is infinitely smaller, so it pretty much has only one need and I fulfills that, otherwise it would break and those wonderful programmers would have to debug for more endless hours. If it works=TRUE, if it doesn't=FALSE. TRUE also means its happy.
While I think it is possible to program a computer with vast numbers of human responses to vast libraries of visual imagery, from which it can pull the closest analogues of a specific image, and call this "analysis of artwork", to me it's still a mile wide and an inch deep. The emotional response to an artwork is produced by that specific image, not by a partial match to some other image.
Sure, a computer can create art, provided there's someone there to call it art. Recall that Picasso and others incorporated "found objects" into their artworks, and Marcel Duchamps exhibited a urinal as art, "because I say it's art." Although a computer has no emotions or aesthetic sensibilities, it can certainly execute algorithms to produce audio and/or visual output which is stimulating to us emotional and aesthetically-sensitive humans. Think of all those gorgeously-convoluted fractal patterns that only a computer could generate. I'm no computer wizard, but I can imagine many things I could tell a computer to do to generate patterns or images that would surprise and please me, including telling it to incorporate random actions over which I had no control.
Human's have a need to create art. It is a way of making sense of the world. Can a computer have a need for art?
As both scientist and professional artist, I am convinced that creativity requires self entertainment. Thus, the question: can a computer entertain itself?
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