Michigan Film Industry Goes Dark

Interview

Friday, December 07, 2012

The new movie Oz: The Great and Powerful — directed by Sam Raimi, starring James Franco, and distributed by Disney — comes out next spring. But like Dorothy said, they're not in Kansas anymore; this Oz was shot in Michigan.

Oz was the high-water mark of an ambitious program to convert some of the state's abandoned auto plants to film studios. State taxpayers funded 42% of the filming costs at Michigan Motion Picture Studios in Pontiac, outside Detroit, in the hopes that it and other productions would establish a new industry in the state. But the studio has been largely idle. Michigan’s Republican governor Rick Snyder vowed to cut back the state’s film subsidy program, and Hollywood studios began taking their business elsewhere. Now Michigan’s pension fund, which guaranteed bonds to finance the struggling movie studio, is left holding the bag.

State governments across the country are trying to lure Hollywood dollars resulting in steep inter-state bidding wars for big film productions. “The definition of mental illness in Hollywood is making a large-budget motion picture without some kind of tax incentives, which we call euphemistically ‘soft money,’” explains Peter Dekom, a prominent Hollywood entertainment attorney. He should know; he’s helped states like New Mexico build its film incentive program. On average, he says, major movies look to incentives to finance about 13% of their budgets.

It’s easy to inveigh against tax breaks as corporate welfare, but Dekom insists there’s a right way and a wrong way to foster the film business. The Michigan program, he says, tried to build a film industry overnight. “When you don’t have local crews and you don’t have local infrastructure, all you’re doing is incenting [sic] people from other jurisdictions to come and take advantage of your credits, and then leave,” he says. “It’s kind of like heroin addiction without the benefits.” A well-designed program, he says, builds opportunities for local crews who put money back into the economy.

The United States is one of the few industrialized nations that does not have a strong national incentive program to back its native film industry, and Dekon doesn’t see that changing: “Right now, you’re not going to see anything from the federal government. It’s just not happening.”

→ What’s been your experience when Hollywood comes to shoot a movie in your neighborhood? Tell us in a comment below.

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Guests:

Peter Dekom

Contributors:

Julia Barton

Comments [3]

Sarah Wadelton from BKLYN Heights

I live in Brooklyn Heights, so there is at least 1, often 2 or more movies/tv shows/commercials being filmed in my neighborhood every day. Other than the additional constraints it puts on already tight street parking, it is surprisingly not disruptive - and it's exciting! The crews are almost always gone by the time I get home, and they leave the neighborhood as clean as they found it. The one exception to the otherwise peaceful relationship we have with Hollywood was the night they filmed car chase scenes down Court Street for Men In Black 3 in August. Our windows were open, and it went on til 4:00 a.m. My dog barked every time they called "Action!", but it was so cool to have all the 1960s picture cars on the block, I didn't care! Glad to have the boon to NYC economy.

Dec. 11 2012 05:46 PM
Jen McGregor from Michigan

I was also working as an extra on films. I made more in 1 week on a movie than I would have made in two weeks at a retail store.

While people are against the incentives...there was a lot of money being made. Hotels, retailers, lumber companies. Catering companies set up shop and increased their businesses....to lose them when Snyder pulled the rug out from under us.

Worse...is that it made Michigan look bad to ALL businesses. "Well, if you could make promises to one industry, then pull the rug out....you can do that to any other industry.....".

Dec. 08 2012 06:37 PM
Barton Bund from Ypsilanti, MI

I'm a Michigan actor. I watched the rise and fall of the film incentives program. At first, it was a reason to stay in Michigan. Big films like "Oz The Great and Powerful" used boatloads of local talent. Actor friends and I would sit in a waiting room and marvel that we were about to audition for George Clooney. I auditioned four times for "The Ides of March." I even learned to play piano for the audition. Didn't get it. But there was talk of bigger productions on the way!, including "The Avengers" and "The Dark Night Rises," but governor Rick Snyder killed the program, with over 40 projects coming to our area. Your guest insists that without native crews working in the area, the incentives program would never get off the ground. I know lots of great crew people in Michigan, and given time, we would have built up a sizable and very skilled workforce to handle the load of productions coming to the area.

Now, smaller films still come to Michigan, and last summer, I had the chance to work on "AKA Jimmy Picard," the first English-language film from French master filmmaker Arnaud Desplechin. It stars Benicio Del Toro and Mathieu Almaric, and working on it was one of the great experiences of my career thus far. You will see one or two scenes in the film's hospital setting, where the room is full of Michigan theatre actors. We're sharing the frame with phenomenal film actors like Joseph Cross and Larry Pine. This small, quiet film should prove to be quite powerful, and working for a director like Arnaud has changed the way I work altogether. This kind, brilliant man is an inspiration, and we all fell under his spell. Keep an eye out for this small, beautiful film, shot in Michigan and in Montana. The international crew and creative team came together with local grips and technicians to create a perfect working environment. Michigan still has great locations and lots of talented people, hungry for work. We have brand-new studios standing there like monuments to a gilded age. I would hate to think that they would remain empty.

Thanks for the show, and thanks for highlighting Michigan in your coverage.

Barton Bund
Artistic Director, The Blackbird Theatre

Dec. 07 2012 06:32 PM

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