Hilary Hahn is a heavy hitter in classical music, a violinist who debuted at 12 and recorded the Bach partitas at 18. She’s powered through the repertoire, mastering Paganini, the Mozart sonatas, the Brahms concerto, Schoenberg, Ives. In her ripe old 20s, she began stretching beyond classical music, playing alongside singer-songwriters like Josh Ritter. Her new project goes even further outside the box.
Silfra is a collaboration between Hahn and Volker Bertelmann, a German musician who performs as Hauschka. (They met through Tom Brosseau, a singer-songwriter and mutual friend.) Hauschka’s instrument is a “prepared” piano, its insides carefully altered with duct tape, felt mutes, bottle caps, and bits of junk so that the keys produce radically different timbres and rhythmic elements. At times he may play the strings with guitar devices like the E-bow. The music Hahn and Hauschka make is completely improvised. They’ll take a melodic fragment or texture and play with it as a composition emerges spontaneously. "To be quite honest, I think it's a very spontaneous way of living,” says Hauschka. “I love that a lot, to just go into a situation and think about it quickly, not having too much fuss about it."
The music might sound disconcerting to Hahn’s legion of classical fans. It’s sometimes disarmingly simple, even folksy; sometimes abrasive; sometimes ambient. But Hahn maintains, “I learned to play the violin by playing classical music, and there's so much variety in classical music that even the unusual techniques I use to get sound out of the instrument at various times, various environments, those also come from classical music.”
The duo is experimenting in other ways as well. Before joining us in the studio, we reached out on Twitter to get examples of tone rows (a particular type of melodic pattern well known to composers) for Hahn and Hauschka to improvise on. They chose one submitted to us by William Jeffery (@WJComposer), whom they had never met.
They also performed a version of “Stillness,” one of the pieces on Silfra, and a new untitled improvisation.
Bonus Track: “Stillness,” live in Studio 360
Hilary Hahn and Hauschka in the studio (Mooj Zadie)Concerto in E minor, op 64: I Allegro molto
Artist: Hilary HahnAlbum: SpectacularLabel: SONY MASTERWORKSPurchase: AmazonBounce Bounce
Artist: Hilary Hahn, HauschkaAlbum: SilfraLabel: Deutsche GrammophonPurchase: AmazonNorth Atlantic
Artist: Hilary Hahn, HauschkaAlbum: SilfraLabel: Deutsche GrammophonPurchase: AmazonImprovisation
Artist: Hilary Hahn, HauschkaAlbum: LIVE in Studio 360"Tone Row" Improvisation
Artist: Hilary Hahn, HauschkaAlbum: LIVE in Studio 360Produced by:
David Krasnow





Comments [5]
This is a field that needs to be explored. Glad to see someone like Hilary Hahn doing that. So called "classical music" needs to expand. Improvisation will make it more exciting, more varied, more interesting. I liked the music, but it could use more depth and more development. I hope she keeps at it.
I'm sure Hilary Hahn's foray into improvisation is sincere, but the results, if the performance on the show is any indication, are those of a dilettante, not someone who has devoted a life to improvised music. If you want your listeners to hear what a real improvising violinist sounds like, invite Marc Feldman (http://www.markfeldmanviolin.com/enter.htm ) to be on your show. He's not only one of the finest musicians working today, he's funny and articulate.
+ on the Cage, @Fishmael, but to me Hilary didn't sound at all comfortable "improvising" (by my definition, it was nothing of the kind). I must join with @cmih in trying to forget this awful segment.
Interesting segment. But, you do your listeners a dis-service by not giving them the background history of John Cage re: the prepared piano. An unfamiliar listener might come away with the idea that Hauschka invented this.
It's fascinating how many classically trained musicians are uncomfortable improvising. Glad to see someone of Hilary Hahn's stature reaching out to embrace it.
I'm sorry, but I thought that was just awful.
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