Diana Krall’s interpretations of mid-century jazz standards have won her two Grammys and sold many millions of albums worldwide. For her new record — Glad Rag Doll — the singer and pianist mined the music of her childhood. Although she grew up in the 1970s, she was raised on her dad’s collection of 78 rpm records from 1920s and '30s.
Kurt Andersen discovers that Krall isn’t just a singer: she admits to being a mega music nerd ("this is like Nerd Alert times 5000"). As a teenager at Berklee College of Music in Boston, Krall made a pilgrimage to the archives of bandleader Paul Whiteman to see the original sheet music for Bill Challis’s arrangements of Bix Biderbeck tunes. Even now her idea of fun is sitting around with musicians trying to outdo each other with obscure tunes.
The ensemble features guitarist Marc Ribot and Krall’s husband Elvis Costello on ukulele; T Bone Burnett was the producer. Songs like “Glad Rag Doll” and “Let It Rain” are infused with Krall’s signature purr, giving the old tunes grit and soul. “I didn’t want to go in there and try to play the music like the 1920s,” she explains, “I wanted to play it the way they would have played it if they were here now.”
Bonus Track: "There Ain't No Sweet Man That's Worth The Salt Of My Tears"
From Diana Krall's album Glad Rag Doll
Bonus Track: "There Ain't No Sweet Man That's Worth The Salt Of My Tears" (original)
Recorded in 1928 by the Paul Whitman Orchestra, featuring Bix Biederbecke and Bing Crosby
I'm A Little Mixed Up
Artist: Diana KrallAlbum: Glad Rag DollLabel: VervePurchase: Amazon'S Wonderful
Artist: Diana KrallAlbum: The Look of LoveLabel: GRP RecordsPurchase: AmazonGlad Rag Doll
Artist: Diana KrallAlbum: Glad Rag DollLabel: VervePurchase: AmazonThere Ain't No Sweet Man That's Worth the Salt of My Tears
Artist: Diana KrallAlbum: Glad Rag Doll





Comments [7]
Diana Krall never disappoints - I love this CD as much as those in the past. And, I am looking forward to hearing her concert here in Buffalo on Feb. 27.
I liked it. It is a daring move - choosing obscure songs that only true shellac-stack afficianados treasure - for it takes away a any comfort and conceit you may have as a listener. The new treatments she gives most of the songs breathes the 21st century into them and they are almost a new jazz form.
Gutsy, well produced, original. If you want the same old Krall, this most recent embrace of roots jazz may be jarring. But she is growing as an artist, and the results are downright exotic.
I don't know, I think this is proof of her ability to hold to the classics of Jazz(it doesn't get more classic than the 20s). It's not her best album, but I am a big fan of it. Like she says of her title track, it's darker. Also this music is a bit more raw.
I'm a die hard fan, but this latest album is a disappointment. All of the previous albums are true keepers, but not this one, except for maybe the Hot cover :)
Perhaps I misheard Ms Krall's remarks, but did she say she met Bix Beiderbecke ? If so, she must be much older than I thought. Beiderbecke died in 1931.
This s a fun more contemporary tune of the late 20's. I personally really enjoy Diana's enormous talent in her
Jazz standards and other classics . I have several of her albums and heard her perform
in Santa Barbara California.
Lorr
Nice stuff and done well; demonstrates her talent. But . . . this is not her forte - get back to the jazz standards and classics like Fly Me to the Moon, etc.
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