September 01, 2006

Marisha Pessl (Laura Rose)

Marisha Pessl

This summer, the literary world experienced a-star-is-born moment when 28-year old novelist Marisha Pessl's debut Special Topics in Calamity Physics received rave reviews and flew up the New York Times Best-Seller list. Kurt Andersen talks with Pessl about the inspiration behind her teenage heroine Blue Van Meer and how Pessl started writing.

(Megan Foster)

The Cost of Art

Why do paintings cost what they cost? Who makes the decision that one work of art sells for thousands or millions while another one sells for hundreds of dollars...or not at all? Sarah Elzas went looking for answers along New York's art gallery food chain, her first stop was in Williamsburg, Brooklyn.

Playscripts (Daniel Pincus)

Playscripts

It used to be that if you were a playwright and you wanted to publish the script of your play, you had to go with one of two very old firms -- Samuel French or Dramatists Play Service. But now all of that's changed, thanks to a new company called Playscripts. Kurt Andersen talks with Douglas and Jonathan Rand, the two brothers who started the company when they were students, about how they're bringing the business of theater into the 21st century.

Vashti Bunyan

Vashti Bunyan

In 1970, Vashti Bunyan thought she was on the verge of becoming a star. She hit the pop charts a few years back with a song penned by Mick Jagger and Keith Richards. She poured her heart and soul into a debut album of folk music -- but the album was a commercial and critical failure. Devastated, Vashti moved to the countryside and focused on raising her family. Meanwhile, a handful of influential folk singers in the U.S. were listening to her supposed flop -- and over the next 30 years, Vashti's music was taking a journey of its own.

Rabbit Penn (William Christenberry)

William Christenberry

William Christenberry returns every year to central Alabama near Tuscaloosa to chronicle the very slowly morphing rural landscape of his childhood: faded wooden barns, kudzu, covered buildings, dilapidated roadside markets with rusty signs and a certain old barbecue joint. Kurt Andersen asks Christenberry how he avoids cliches while capturing such familiar images of the South

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