Impression, sunrise, 1873
As part of Studio 360's series on science and creativity, Sarah Lilley talks with scientists who admire the impressionist painter Claude Monet not just for his color choices, but for his ability to trick the human eye and brain.
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Every time you translate you have to make a choice about what you're might to gain versus what you will ...
I absolutely believe that Shakespeare's work needs to remain unadulterated, to update the language detracts from the work as seriously ...
Studio 360 with Kurt Andersen is a co-production of Public Radio International
and WNYC Radio, and is funded in part by Ken and Lucy Lehman
and the National Endowment for the Arts. Studio 360's American Icons
series is supported in part by the National Endowment for the Humanities.
Our Science and Creativity series is supported in part by the Alfred P. Sloan Foundation.