Learning Chinese History Through Comics


Friday, March 21, 2014

A new book by the graphic novelist Gene Luen Yang tells the story of China’s Boxer Rebellion in vivid, explosive color. In the year 1900, peasants violently rejected Western businesspeople and Christian missionaries in their country. The Boxers, as they were called, “believed that they could call the Chinese gods down from the skies and these Chinese gods would give them superpowers,” Yang explains. The Boxers killed an enormous number of Chinese Christian converts before the rebellion was put down by international armed forces.

Boxers & Saints — a finalist for the 2013 National Book Awards — follows two fictional Chinese teenagers on opposing sides of the conflict. Four-Girl is a convert; Little Bao is a peasant. In imagining the conflict, Yang drew on images from pop culture of the time. “When I read about Chinese opera’s place in these young men’s lives, I saw a lot of connections between Chinese opera and American superhero comics,” he tells Kurt Andersen. “Both tell stories about these heroes who dress in bright colors, who have superpowers, who fight these epic battles for the fate of the world. And in a lot of ways, the way American geeks latch on to superheroes is sort of the way these young men in China latched on to Chinese opera. They felt hopeless and angry — and they expressed their hopelessness and anger, they dealt with their hopelessness and anger by identifying strongly with these heroes that they watched on stage.”

Yang was drawn to comic books from a young age: “Every superhero negotiates between multiple identities, right? Batman isn’t just Batman; he’s also Bruce Wayne. So in a lot of ways I think Asian Americans and immigrants' kids in general can find reflections of ourselves in these characters.” American Born Chinese (which was also a finalist for the 2006 National Book Awards) is the semi-autobiographical story of a kid desperate to fit in. At one point, the story morphs into a sitcom with a laugh track and comic relief courtesy of the grossly stereotypical Chin-Kee (see the last image in the slideshow below). Yang says he reveled in making his readers squirm; what he’s bothered by more is the culture industry’s tendency to make Asians invisible. When M. Night Shyamalan cast white actors in his adaptation of Avatar: The Last Airbender, an animated series with Asian characters, “it felt like yet another instance of yellow-face,” he says. A die-hard fan of the original, Yang posted a graphic rant on his blog. That got the attention of a comic-book publisher, who hired him to create a print comic based on the series. 

With all this on his hands, Yang says he won’t quit his job as a high school administrator. “It’s difficult for me to imagine leaving that community,” he says. “I’m just as passionate about education as I am about comics.” 

Bonus Track: Unmasking The Green Turtle
Yang's next project will bring back the first Asian American superhero.


Slideshow: Inside the book

The cover of Gene Luen Yang's graphic novel Boxers & Saints.
First Second Books

The covers of Gene Luen Yang's two-part graphic novel Boxers & Saints.

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First Second Books

A page from the book. The author describes the Boxers, depicted here, as poor villagers who believed they could summon the Chinese gods from the skies, who would grant them superpowers. “I grew up reading superhero comic books,” Yang says. “And that was one of the ways I found a connection with these Boxers.”

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First Second Books

Boxers transformed for a battle.

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First Second Books

Four-Girl, who isn't accepted by her family, converts to Catholicism — but she has many questions about the new religion.

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First Second Books

Yang, a practicing Catholic, says he “grew up within a tension of Western belief systems and Eastern culture.” Aspects of the book reflect “an ambivalence I have about my own identity.”

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First Second Books

American Born Chinese is Yang’s semi-autobiographical story of a kid desperate to fit in. At one point, the story turns into a sitcom with a laugh track and comic relief courtesy of the grossly stereotypical Chin-Kee. Yang says he wanted make his readers squirm.

Click here to view image larger.

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Gene Luen Yang

Produced by:

Jenny Lawton

Comments [2]

Leital at Studio 360

We're sorry you found the tone of Kurt's Mark Burnett interview disrespectful. Our host certainly didn't intend any disrespect toward his guests -- he merely had a difference of personal experience and point of view on religious faith, which he was open about with his guest. As Kurt responded to another listener: "Burnett took my question[s] good-naturedly, and he professed himself pleased with the interview generally."
As for commenting on using source material that's "rights free," yes, we have raised the same question with artists adapting Shakespeare (see Kurt's interview with theater director/playwright Tarrell Alvin McCrahey).
Thanks for listening and sharing your comments.

Mar. 22 2014 09:37 PM
Michelle J from New Castle

I waited to post comments because I was surprised with the disrespectful tone of your (3.7.14) interview with Mark Burnett and Roma Downey after listening to the show for years. On this morning's show (3.22.14) you interviewed another practicing creative Catholic and was less sarcastic. The listeners gained more information about Zheng's art. This is what we have come to expect from Studio 360. You did not comment on Zheng When's collaborators, the activities of his editors, publishers, etc. I also did not understand your comments about not having to pay the Writers Guild. Do you make similar comments to artists who adapt Shakespeare and Jane Austen? Why was the (3.7.14)interview such a departure from the norm? Can you explain - I would really appreciate your response. Respectfully Michelle

Mar. 22 2014 08:21 AM

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