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COVER STORY
Industry
Kurt Andersen and landscape architect Julie Bargmann
talk about the connections between art and industry.
 Kohler
Factory
The Kohler Factory in Sheboygan Wisconsin makes toilets
and sinks, but the company has a surprising motto, that quotes the 19th
century art critic John Ruskin: "Life without labor is guilt. Life
without art is brutality." Kohler runs an artists-in-residency program,
and Studio 360 sent Hillary Frank to check it out.
Go to the John Michael Kohler Arts Center Web site
 Dia
Beacon
Kurt Andersen and Michael Govan, the director of Dia:Beacon
tour this new museum housed in an old printing building in the Hudson
Valley, about 75 miles north of New York City. Dia made this space so
it could house sculpture and art that would never fit comfortably in an
average downtown museum gallery. Produced by Paul Ruest and David Krasnow.
Go to the official Dia:Beacon website
 Industrial
Music
Studio 360 shows you three composers who have responded
to the machine age in music: Annie Gosfield, a young contemporary composer;
Genesis P-Orridge and his 1970's rock band Throbbing Gristle; and George
Antheil, one of the Futurist composers from the 1920's. Produced by Michael
Raphael.
Go to Genesis P-Orridge's offical Site
Go to a site about Throbbing Gristle
Go to Genesis P-Orridge at Soft Skull Press
Go to Annie Gosfield's Official Site
Go to Paul Lehrman's official George Antheil Site
SPECIAL GUEST
Julie Bargmann
Julie Bargmann is a landscape architect specializing
in Superfund sites and other toxic places. Her firm has worked on the
reuse of the Massachusetts Museum of Contemporary Art and Ford Motor Company's
River Rouge plant in Dearborn, Michigan. She also teaches landscape architecture
at the University of Virginia in Charlottesville.
Go
to Julie Bargmann's D.I.R.T. Studio
Go to the Time Magazine 'Innovators' profile on Julie Bargmann
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Commentary
Operation Headbanging
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Playing
Van Gogh. Vincent Van Gogh would have turned
150 this year and his personal trials are just as famous as his art.
His rejection in his own time, his psychological struggles
his
cutting off his own ear. But an exhibition at the Van Gogh Museum in
Amsterdam asks us to rethink Van Gogh, and what we know about it. Produced
by Emily Hoffman.
Go
to the Van Gogh Museum's website
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